When Peter looked up, I asked:
“So what is your favorite picture?”
He stopped for a moment:
“Favorite? No not “favorite”, but I think the ones that impressed me is the ones showing the brutality of wars”
Upon saying that, Peter was referring to the collection of war crime pictures exhibited on 2nd floor of War Remnant Museum, Ho Chi Minh city, Vietnam. This 35-year-old Museum has been an excellent bridge connecting the gaps of history awareness (or lack thereof) from both sides. Despite some criticism of being biased, I felt touched by various pictures shown here, taken by the brave men behind the cameras. Today I want to explore their stories, what led them to the battle fields, their impacts on public and the reverse impact on their own lives after fame.
Tim Page – British, the danger craving man
I should not have chosen “War is hell” photo to present here since my eyes are glued at this solder’s mesmerizing look and not the tiny sentence on his hat, but it is good attraction leading me to an interesting War Reporter called Tim Page.
As the person behind haunting photos of Requiem Exhibitionin War Remnant Museum, a collection of pictures from photographers who died in the Vietnam War, Tim Page is also the inspiration for the journalist played by Dennis Hopper in the famous film Apocalypse Now. However behind the glory he also suffered from PTSD and attempted suicide 2 times. At the later period of life he shifted his focus to portray war veterans and wrote about their stories, mainly as a self-therapeutic act.
Requiem collection portrayed not only brutality but also humanity in this War:
To be fair, Tim Page is not a “Vietnam” war photographer, but rather an Indochina War & Middle East war reporter. His photography is self taught in the years he was in Laos working for AFP when he was only 17, which earned him a staff position in Saigon Bureau of the news agency in 1965. He was severely injured in war 4 times.
What brought Tim Page to this career was not burning passion at first for either war or photography but rather a string of incidents, notably his near-death experience following a 1960 motorcycle accident:
“I had died. I lived. I had seen the tunnel. It was black. It was nothing. There was no light at the end. There was no afterlife. Nothing religious about any of it. And it did not seem scary. It was a long, flowing, no-color wave which just disappeared. The mystery was partly resolved, all the fearful church propaganda took on its true, shameful meaning. I was content. I was alive. I was not dead, and it seemed very clear, very free. This was the dawning, the overture to losing a responsible part of my psyche. A liberation happened at that intersection. Anything from here on would be free time, a gift from the gods”
That incident might not be the only factor, but definitely an important one which helped Page to swing himself into brutal, exhausting, emotionally turbulent scenes he faced.
In this interesting interview by Talk Vietnam, Page shared about his reason why he came to Asia in the beginning
– At 17 years of age, you decided to leave UK to come to Asia. Why did u decide that?
- – I think my whole life has been a series of falling over, accidents, and then becoming lucky. When I was 16 I died. I was in a motorcycle. And I lost 6 liters of blood from here, I thought I was dead. I think when you see the other side, death, whatever this is, ended now, when you come back, you are changed. So I run from England and it was mind-opening.
– So you would go on to shoot your very first war photos eventually in Laos, and you never thought of becoming, you know, a photo journalist, let alone a war reporter.
-In Laos, I lived with a man who became a correspondent for UPI, United Press. The war in Laos, in 1963-1964 escalated, so they sent my friend to Tokyo to learn big time correspondent, and I am UPI’s Bureau chief in Laos. I am 18, I am bureau chief in Laos, right, so the bureau chief in Saigon comes in
“Hey kid, how do you like your job? 3 days later I am in Saigon”
Tim Page’s totally unpredictable life turn brought him to Saigon and War reporting in general, which pushes him to hone his skills as the requirement of the job and exposure brought after that, just like the characters in the book of Carl Newport . It is not the idealist image I have in mind about passionate people who believed in justice and meaning and looking for something to change the world but much more complex, and because of that, much more interesting. The stories of people with extraordinary works but very vulnerable and normal at the same time.
I can’t help thinking the lady interviewing him already having certain story in mind though, a polished plot for television.
The next war reporters I want to explore are Henri Huet from France, Kyochi Sawada from Japan, Larry Burrow from Britain and Luong Nghia Dung from Vietnam. How are their stories different from Tim Page?